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Multi-pattern large diaphragm condensor microphone most often used on vocals.  Can also be used as a door stop, a hammer, a trebuchet projectile…we kid, a vocalist would never sing into a hammer.

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8 Channel outboard mic preamp known for its lack of color.  Goes great with Schoeps.

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Highly detailed ambient recording microphone characterized by its smooth, transparent top end and sensitivity to moisture.  Not the mic you bring to the jungle, a pool, a wet basement, or really any non air conditioned space.  When they work though, they really work.  Appropriate for all sorts of orchestral instruments, gamelan, and other things that make sound with hard to pronounce names.

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Compact location recorder/mixer that can also be used as a computer interface.  Reliable and redundant.

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Second generation Lynx AD/DA converters based on the Hilo design.  Those engineers at Lynx made the wise decision to make it transformerless, otherwise it would be stupidly heavy and big, kinda like a football player who is really good at math.

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Ryan graduated from the Mary Pappert School located across the river.  He has a music technology degree with a concentration  in jazz guitar.  He is also a millennial, but we try not to hold that against him.

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70’s German design at its best.  The retro future is cool, but this thing is astoundingly fragile for a dynamic mic.  The diaphram is mounted on a lucite cylinder because that makes total sense.  The cylinder will crack or break if you drop it affecting the mics frequency response.  The fact that it is supercardiod does not make up for it.

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Oram stereo preamp with eq.  This thing works great on small ensembles and anything requiring ambient stereo recording.  Not bad as drum overheads either.  Annoyingly it does not have  output attenuation.  Not a pad, slope, ramp, dip, loopdiloop, nada.

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